The Panasonic GH2 records a variety of resolutions and frame rates, using either the more space-efficient AVCHD or the more broadly compatible Motion JPEG file formats. Panasonic GH2 Video Resolutions & Recording Formats Panasonic GH2 Video: Image Size, Frame Rate, and Encoding Slow-motion recording at 0.8x normal speed, fast-motion recording at 1.6x, 2x and 3x normal speed.Up to 8 full-resolution still images can be captured per video recording session, but the video is paused briefly for each (also available only when recording is begun from a still-image capture mode).Up to 30 two-megapixel resolution still images can be captured during each video recording session, without pausing the recording (when recording is started from a still-image capture mode).Stereo audio recording via built-in microphone, plus external stereo input via 2.5mm phone jack.EV adjustment is available in all movie recording modes, and can be adjusted during recording.Full ISO control in all Movie exposure modes.True aperture-priority, shutter-priority, and full-manual video exposure options.Autofocus is possible during recording, with variable results depending on the lens used (live AF tracking is excellent with the 14-140mm kit lens).Option of either AVCHD or Motion JPEG recording formats.High-quality "Cinema" video mode gives 1,920 x 1,080 at 24p, with higher 24 Mbps AVCHD quality.720p (1,280 x 720), 60/50p HD recording, also derived from 60/50 fps sensor output.1080i (1,920 x 1,080), 60 fields/second HD recording, derived from 60 fps sensor output (50 fields/second in Europe, derived from 50 fps sensor output).(Other the the GH1 which it replaces, Panasonic's other G-series models topped out at 720p resolution.) In another nod to high-end video enthusiasts, the Lumix GH2 now offers full AVCHD recording at the maximum 24 Mbps the standard supports. Alone among the G-series models, the Panasonic GH2 can also shoot at full 1080i HD resolution. Unlike some of its competition, the Panasonic GH2 also provides a stereo microphone jack for connecting to an external microphone either Panasonic's own DMW-MS1 model or a third-party unit with compatible signal levels. The Panasonic GH2's video options are well-suited to both consumer and advanced amateur use, and even include a few capabilities of interest to pros.Īlso in common with the previous GH1, the Panasonic Lumix GH2 offers full PASM exposure control while recording video, a feature shared by surprisingly few video-capable SLRs. The combination is a uniquely effective and a highly compact camera system for shooting high-definition video. As was the case with the GH1, the Panasonic GH2's video prowess is also assisted by its image-stabilized 14-140mm kit lens, which is equipped with a special high-speed and nearly-silent autofocus motor and continuously variable lens aperture. Apart from Sony's SLT series, Panasonic's Micro Four Thirds models are the only interchangeable-lens cameras with autofocus during recording fast enough to be called truly "live." According to Panasonic, a faster processor in the GH2 reduces its focus-lock time to as little as 0.099 second, down from the 0.2 second of the GH1. Panasonic pioneered advanced video capability in Compact System Cameras (CSCs), in that their DMC-GH1 led and still leads the way in many respects. (Regular photos taken with the Panasonic Lumix DMC-GH2) (Thumbnails of all shots, including RAWs, with EXIF data) Panasonic Lumix DMC-GH2 Thumbnails page.(Index to all standard test shots, with explanations) Panasonic Lumix DMC-GH2 Sample Images page.(Crops from images shot with the camera's kit lens, if sold as a kit) Check out the links below for more sample images, videos and image quality analysis:
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